The Sopranos: Why Tony Killed Christopher in Season 6
Tony Soprano kills Christopher Moltisanti in 'The Sopranos' season 6, episode 6 'Kennedy and Heidi', ending a storyline years in the making .
Why did Tony Soprano (James Gandolfini) kill Christopher Mortisanti (Michael Imperioli) in The Sopranos season 6? The longtime friends joked with each other in the final episode of The Sopranos, "Walk Like a Man," and seemed to be on good terms, despite some issues with co-worker Paulie Gourtieri (Tony Sirico) to work out. conflict. However, the inner evils of the underworld soon catch up to Christopher Mortisanti, leading to a shocking early episode in "Kennedy and Heidi." Oddly enough, HBO's Sopranos prequel movie "All Saints of Newark" reveals the background of Tony Sopranos and Christopher Mortisanti's relationship. Additionally, Christopher described the Saints of Newark as invisible voices from hell, a character who also appeared onscreen as an infant. While the All Saints of Newark focus on Dickie Mortisanti (Alessandro Nivola) and teenage Tony Soprano (Michael Gandolfini) , but Christopher Mortisanti's death in The Sopranos season 6 has haunted the DiMeo crime family.
Christopher Moltisanti died years before Christopher told The Many Saints of Newark, Tony with sons A.J. (Robert Iller) and Melfi PhD. After the breakup, A.J. became severely depressed And exhibited suicidal behavior, at least according to his sister Meadow (Jamie-Lynn DiScala). Tony then told Dr Melfi he was done with treatment and called the sessions a "bastard". He mentions his failures as a parent and how he passed his "rotten" genes on to his son. Meanwhile, after throwing Paulie's nephew out a window, Tony anticipates another meltdown for Christopher. But importantly, Tony doesn't realize that Christopher is no longer sober. These are all factors that lead to Tony and Christopher's fatal car accident, the latter admitting that he failed a drug test, which is the final straw that breaks the relationship between Tony Soprano and Christopher Mortisanti. While Tony can never change what he inherited to A.J., he can stop Christopher from destroying lives other than his own. Christopher's life was certainly worth saving, but Tony's subconscious guilt got the better of him, and he pinched Christopher's nostrils until he died.
Tony Soprano Saw Killing Christopher As Merciful
Despite the shocking moment, Tony's motivations in The Sopranos were presciently tied to a song that was played before the accident, with Christopher referencing the soundtrack of The Departed and playing Pink Freud's "comfort numbing". In Martin Scorsese's 2006 film, the song plays Leonardo DiCaprio's Billy Costigan loses control during an undercover investigation and contemplates suicide. As Tony and Christopher drive, "Kennedy and Heidi" plays, the lyrics "Dreams Broken" underscore the central message of the scene and foreshadow Tony's subsequent actions as the mob boss kills his gangster son to save him from To a more tragic death. Prophetically, David Chase showed viewers that in Christopher Mortisanti's final moments, he wasn't frightened but "comfortably numb." When Tony and Christopher's relationship comes to a bittersweet end, both characters are vaguely receptive -- even relieved.
Looking further into the scene, it becomes clear that this pivotal moment in Christopher Soprano stems from many other factors. Given Tony's status in the DiMeo crime family, Tony needs to be absolutely confident that someone like Christopher won't get out of hand and leak information about their organization. Tony does trust his protégé to an extent and loves him like a son. Unfortunately for Christopher, though, he went too far this time around with DUI with Tony in the passenger seat. After the accident, Tony sees a crushed baby seat and seems to be reminded of his own Kid, forcing Tony to take control because he can, and to choose one family over another by killing Christopher (who, obviously, is not his direct blood relative). A few episodes later, The Sopranos ended with a cryptic noir cut. Despite the lack of absolute clarity, what matters is who Tony is with: his wife, his daughter, his son, and ultimately the family Tony chooses.
Christopher’s The Many Saints Of Newark Narrator Role Adds Weight To His Death
The backstory of The Sopranos is revealed in the prequel film "All Saints of Newark", in which Christopher tells the story of the Newark Saints to further define Christopher's death as well as Tony Soprano and Christopher Moore Tissanti's influence on the DiMeo crime family. Christopher's narration begins with the opening sequence showing his tombstone, during which he provides context for the film's title by explaining that Moltisanti is a religious name that literally means "many saints." Notably, the disembodied voice of Soprano-era Christopher serves as narrator, continuing the series' long tradition of using elements of mysticism and magic to highlight key points in the lives of DiMeo's crime family members. After the opening scene, every scene Christopher narrates in the Sopranos prequel involves a pivotal point in the life of young Tony Soprano. this includes christopher speaking About important DiMeo crime family members, such as Dickie and Tony pick up Dickie's father Dick Moltisanti (Ray Liotta), in which Christopher also introduces Tony, "That little fat guy is my uncle, Tony Soprano... He strangled me."
The Soprano-era Christopher also recounts the film's time jump from the '60s to the '70s, the scene where Tony moves to the suburbs, and most notably Dickie's funeral. As Tony looks at the body of his recently deceased uncle and mentor, Dickie's hand moves up, making a pinky promise with his nephew while The Sopranos theme fades away - a sign of Tony's devotion to Dickie and the DiMeo family . The camera pans to Tony's face as Christopher says before the end credits: "That's the man, my Uncle Tony. I went to hell for him." Christopher's supernatural presence among the many saints in Newark reveals Christopher's How the spirit viewed his death. While Christopher's last words seem harsh, there is no pain or anger in his voice when he says them, suggesting that Christopher understands how Tony does what he has to do for the family.
Christopher Moltisanti Got What Was Coming To Him
In hindsight, Christopher Moltisanti's death was well deserved. Finally, like Tony Speaking of Dickie, Christopher can't help but look up to Tony, even as he sees his uncle, mentor and father figure from hell. However, all three get what's to come, especially Christopher. Throughout The Sopranos, Christopher has killed nine people, most notably Emil Corral (his first kill) and J.T. What makes the final moments so plausible is that while snorting heroin, Christopher Moltisanti rode on a dog and killed it. Worse, even that wasn't enough for Christopher to signal Stop using it. Just as Tony Soprano was haunted by dreams of the murders and wrongdoings he committed, karma eventually caught up with Christopher Moltisanti, whose death was only reaping what he had sewn all his life. ^More: Female Tweeter: Ending What Cats Really Mean and Its Connection to Christopher
